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We are no longer curators of our own joy. We are janitors with a broken mop, trying to keep up with an endless flood.

A teenager in a bedroom can now produce a short film with CGI that would have cost millions in 1995. A novelist can self-publish to a global audience overnight. A niche historian can find 10,000 obsessed fans for a podcast about the Byzantine bureaucracy. For all the garbage, there is more genuine, weird, brilliant art available than ever before. porngames

The problem is not the supply . The problem is the discovery and the discipline . We are no longer curators of our own joy

This is the paradox of the Content Supernova. A novelist can self-publish to a global audience overnight

We are living through the most spectacular era of entertainment in human history. Never before has so much media been available so instantly, so cheaply, and in so many forms. Yet, paradoxically, never have so many of us felt so bored, overwhelmed, and strangely unsatisfied by it all.

Remember the watercooler moment? When everyone at work had seen the same Game of Thrones episode last night? That is dying. In its place is a million tiny micro-audiences. Your TikTok For You Page is a unique universe, utterly alien to your neighbor’s. Your podcast queue is a private sermon. Your YouTube recommendations are a conspiracy tailored just for you.

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The scandalous death of the Duke of Cumberland's valet

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Double assassination attempt on George III 15 May 1800