But is Where Eagles Dare a great film? Or is it simply the greatest good bad film ever made? The answer, much like the film’s plot, is a delightful double-cross. The premise is deceptively simple, then gloriously convoluted. A US Army General (Robert Beatty) has been captured by the Nazis and is being held in the Schloss Adler—the Castle of the Eagles—a fortress perched on an impossible peak in the Bavarian Alps. The catch? The General knows the full scope of Operation Overlord (the D-Day invasion). If he talks, the war is lost.
A flawless piece of winter pulp. Pour a Scotch, turn up the volume, and don’t ask where they got all those extra magazines. ★★★★☆ (4/5) "Broadsword calling Danny Boy... this article is complete." where eagles dare 1968
When the explosives come out and the German soldiers start falling, Eastwood turns into a grim reaper in a parka. One scene in particular has entered legend: Eastwood, standing in the middle of a courtyard, gunning down dozens of SS troops while Burton calls the cable car from a phone booth. It is violent, implausible, and absolutely glorious. It is the moment the movie stops pretending to be a thriller and admits it is a carnival ride. Modern CGI would have built the Schloss Adler on a green screen. Director Brian G. Hutton and cinematographer Arthur Ibbetson did something crazier: they went to the Hofburg in Fieberbrunn, Austria, and filmed on actual mountain peaks. But is Where Eagles Dare a great film
In the pantheon of World War II action cinema, most films age into quaint artifacts—relics of dated special effects and jingoistic simplicity. But then there is Where Eagles Dare . Released in 1968, at the tail end of an era that worshipped the square-jawed hero, director Brian G. Hutton’s Alpine masterpiece did something remarkable: it refused to die. The General knows the full scope of Operation