Find the furniture, lights, appliances, decorations, plants, and materials you need to quickly bring you SketchUp models to life."
Podium Browser is a premium component library containing over 45,000 high-quality models and materials, with hundreds added each month. All models from 3D trees to furniture are render ready for SU Podium and PodiumxRT but also are highly suitable to stand alone SketchUp exterior and interior designs.
Items in Podium Browser are already configured to be rendered with SU Podium or just use with SketchUp.
Podium Browser works just like the 3D Warehouse — Simply click on a thumbnail in the Browser to download the content into your SketchUp model. You can then render using SU Podium, ProWalker or Podium Walker if desired. Podium Browser components and materials are developed with considerable detail and suited well for SketchUp designs.
Browse examples from selected categories below, or check out the full library here — Podium Browser library.
These four scenes were created almost entirely with Podium Browser components and rendered with SU Podium. Click through the images to see a breakdown of the Podium Browser components used in each image:
The music video, directed by Elena Cruz, doubles down. Shot in a single, unbroken take, Harwin wanders through a house at 3 a.m., rearranging furniture, drinking wine from the bottle, leaving voicemails she’ll delete. By the end, she’s lying on a bathroom floor, smiling at the ceiling. It’s devastating. It’s also strangely victorious.
Here’s a feature-style piece on and the impact of her track “Addict.” Sydney Harwin’s “Addict” Isn’t a Confession – It’s a Coronation sydney harwin – addict
There’s a moment in “Addict” – just before the second chorus – where Sydney Harwin’s voice drops to a near-whisper. “One more hit, then I’ll quit.” It’s the oldest lie in the book, but she delivers it like a diamond ring. The music video, directed by Elena Cruz, doubles down
“Addict” is out now on all streaming platforms. Would you like a shorter Instagram caption version or a playlist intro paragraph instead? It’s devastating
Produced by long-time collaborator Jules Merrick, the track opens with a heartbeat synth and a bassline that slinks like a shadow. Harwin’s vocals are deceptively soft – almost conversational – before the chorus fractures into a glitching, industrial crescendo. The production mirrors the lyric: control, then collapse.
Critics are calling “Addict” the centerpiece of Harwin’s upcoming sophomore album, “Hunger Season.” But more than that, it’s a coronation. Sydney Harwin isn’t here to fix you. She’s here to sit with you in the wreckage – and make it sound like a lullaby.
“People kept asking me to write a ‘healing’ song,” Harwin said in a recent interview. “But some addictions aren’t to substances. They’re to people. To patterns. To the version of yourself that feels most like you , even if that version is drowning. ‘Addict’ is for the ones who aren’t ready to be saved.”