is what happens when you remove those black bars. You are seeing the full camera negative. The whole enchilada. The "Heavenly" Shot vs. The TV Compromise Open Matte usually appears in two specific, contradictory scenarios:
If you love movies, you need to know about this. Because once you see an Open Matte version of a film, you might never want to watch the "official" version again. Let’s do a quick science lesson. When a director shoots a movie, the camera sensor captures a massive square-ish image (usually a ratio of 1.33:1 or 1.37:1—basically, the shape of an old CRT television).
For decades, when a 2.39:1 widescreen movie aired on 4:3 TVs, studios did "Pan & Scan"—they cut the sides off. But for some cheap TV broadcasts or foreign DVD releases, they did the opposite: they just opened the matte . open matte
Watching Pacific Rim in Open Matte is a religious experience. The Jaegers (giant robots) actually look taller than the skyscrapers because you can see the scale from ground to sky. Sometimes, Open Matte ruins the magic. You see the boom mic. You see the edge of the set. The composition looks sloppy.
But other times? It feels like you’ve taken a step into the movie. You stop watching a framed painting and start watching a window. is what happens when you remove those black bars
Welcome to the weird, wonderful, and often accidental world of .
But , when a 4K Blu-ray is mastered, sometimes the studio is lazy. They take the Open Matte digital intermediate (the master file before the bars were added) and just slap black bars on it. The "Heavenly" Shot vs
You switch to the Blu-ray, and suddenly the picture is wider, but the top and bottom are clipped off. You feel claustrophobic.