[Generated for Academic Review] Publication: Journal of Deaf Studies and Deaf Education (Hypothetical) Date: April 14, 2026 Abstract Name signs (also called sign names or ASL names) are a critical component of Deaf cultural identity, functioning as both personal identifiers and carriers of narrative meaning. This paper provides a deep analysis of the name sign belonging to Nyle DiMarco, a prominent Deaf activist, model, actor, and producer. Unlike conventional name signs that may be arbitrary or descriptive, DiMarco’s name sign—produced with a bent ‘N’ handshape tracing a crescent-like path from the temple to the cheek—exhibits a rare convergence of phonological structure, iconic motivation, and ideological self-positioning. Through a qualitative analysis grounded in linguistic frameworks (Stokoe’s parameters, Supalla’s classification system) and Deaf Gain theory, this paper argues that DiMarco’s name sign functions as a metonymic tool: it visually encodes his signature dimple, his role as a media disruptor, and his reclamation of Deaf visuality. The paper further examines how the name sign’s reception in both Deaf and hearing spaces illustrates the tension between exoticization and celebration of Deaf embodiment. 1. Introduction Nyle DiMarco (b. 1989) is a fourth-generation Deaf individual from a family with deep Deaf roots. Rising to fame as the winner of America’s Next Top Model (Cycle 22) and Dancing with the Stars (Season 22), DiMarco has become a global icon for Deaf representation. Within the American Deaf community, however, he is known not just by his English name but by a unique name sign. Unlike many hearing individuals who receive arbitrary, initialized name signs (e.g., ‘N’ handshape tapped on the chest), DiMarco’s name sign is distinctly descriptive and highly visible.
The Iconicity of Identity: A Linguistic and Sociocultural Analysis of Nyle DiMarco’s Name Sign nyle dimarco name sign
The most cited origin (performed by DiMarco himself in ASL vlogs) is his . DiMarco has a prominent, asymmetric dimple on his right cheek that appears when he smiles. The bent ‘N’ handshape traces the crease of that dimple. This makes his name sign a body-anchored descriptive sign , similar to name signs for “curly hair” or “mole on chin.” However, the dimple is not merely a physical feature; it is a brand asset. In modeling, his dimple is fetishized by hearing audiences. By encoding it into his name sign, DiMarco reclaims that feature as Deaf property: “You see my dimple, you see my sign name, you see my Deafness.” [Generated for Academic Review] Publication: Journal of Deaf
Within Deaf social media, using DiMarco’s descriptive name sign rather than fingerspelling “N-Y-L-E” signals insider status. Hearing ASL students who use an arbitrary ‘N’ tap are immediately marked as outsiders. DiMarco has publicly corrected hearing interviewers who attempted to assign him a different sign, asserting the Deaf community’s right to name its own. Introduction Nyle DiMarco (b
The crescent path is critical. The starting point at the temple echoes the location of the sign [THINK] or [KNOW]. The ending point at the cheek/dimple echoes [SMILE] or [HAPPY]. The movement thus iconically encodes: knowledge/Deaf consciousness flows into expressive joy . In Deaf cultural narratives, this is read as “proud Deaf thinker who smiles in the face of audism.” 5.1. Index of Intimacy and Authenticity
The bent ‘N’ handshape is rare in ASL. Most name signs use a flat ‘N’ (index and middle fingers straight). The bent ‘N’ appears in only a handful of signs (e.g., [LIGHTNING], [ELECTRICITY] in some dialects). DiMarco’s name sign thus requires marked articulatory effort, immediately drawing visual attention—fitting for a model.
Notably, the bent ‘N’ handshape is similar to the handshape used in some regional signs for [HANDSOME] or [ATTRACTIVE]. While not explicit, Deaf signers often comment that DiMarco’s name sign “fits his face” – a commentary on aesthetic coherence. This blurs the line between name sign and compliment, a feature rare in arbitrary name signs.