When the invading kingdom of Mezarte — desperate for the Iorph’s bloodline to revive their dying dragons — attacks her homeland, Maquia escapes into the wilderness. There, she discovers a lone human infant, wrapped in the arms of a dead mother. Though Maquia herself is still a child in spirit, she makes an impossible choice: “I will be his mother.”
The Iorph are a clan of ageless weavers who live apart from the world, preserving ancient texts and tending to looms. Though they appear as adolescents, they live for centuries, and their hearts remain untouched by time’s passage — until loneliness finds them. Young Maquia, orphaned and restless, watches as her clan’s elders speak of a “lonely death” as the price of immortality.
The scene where adult Ariel runs after Maquia’s carriage saying “I’m sorry” — and she smiles and waves and mouths “I know” — is the most beautiful and painful thing I have ever seen in animation. maquia letterboxd
Yes (3rd time)
Also, be warned: the first 20 minutes are dense with fantasy terminology (Iorph, Renato, Hibiol, etc.). Stick with it. The worldbuilding isn’t the point — the people are. “I cried so hard during the final 15 minutes that my roommate knocked on my door to ask if I was okay. I was not okay. I will never be okay.” — @animatedtears , ★★★★½ “Mari Okada really said ‘What if immortality, but the curse is watching your children die’ and then made it somehow the most tender and hopeful movie about motherhood ever. Unfair.” — @weepywitch , ★★★★★ “This is the ‘Grave of the Fireflies’ of motherhood. Bring three tissues. Actually bring a towel.” — @mechastriver , ★★★★ “Leilia deserved her own movie. Justice for Leilia.” — @renatofan42 , ★★★★ “I watched this with my mom. Big mistake. Huge. We both sobbed in the theater parking lot for 20 minutes.” — @arimother , ★★★★★ 📋 Log entry example (as if from a Letterboxd user diary) When the invading kingdom of Mezarte — desperate
What follows is not a fantasy war epic, though dragons and armies clash. It is a quiet, devastating chronicle of motherhood, time, and farewell. Maquia raises the boy, Ariel, as he grows from toddler to adolescent to man, while she remains frozen in youth. She learns to sew, to cook, to cry, to let go. And he learns that some mothers never get old — only left behind.
“A mother’s promise is the longest goodbye.” Though they appear as adolescents, they live for
If you have ever loved someone who grew up and away from you — child, parent, or friend — this film will find the crack in your heart and pour itself inside.