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This paper posits two central questions: (1) How does IPKKND2 deconstruct and reconstruct the male gaze through Avni’s agency? (2) Why did a critically acclaimed pairing and high-production-value show fail to maintain ratings, leading to a rushed conclusion?
The rushed ending (Episode 234) saw a forced reconciliation without addressing the central ideological conflict—could Avni and Advay coexist as equals? The show abandoned its own thesis, defaulting to a clichéd “happy family” tableau. This betrayed the progressive promise of the first 100 episodes. iss pyaar ko naam doon 2
Indian television, gender studies, fan studies, Iss Pyaar Ko Naam Doon 2 , Barun Sobti, serial narrative. This paper posits two central questions: (1) How
The Indian television landscape, dominated by daily soaps, often relies on recycled formulas: patriarchal families, identity switches, and virtuous suffering. Iss Pyaar Ko Naam Doon 2 (translated: Let me name this love 2 ), which aired on StarPlus from November 2015 to November 2016, attempted a tonal departure. Created by Gul Khan under the banner 4 Lions Films, the series starred Barun Sobti (Advay Singh Raizada) and Shivani Tomar (Avni Singh). Unlike its predecessor—which focused on a lawyer and a chef in a marriage of convenience—IPKKND2 centered on revenge, mistaken identity, and a heroine who physically confronts the hero. The show abandoned its own thesis, defaulting to